Our human lives involve remarkable forms of practical organization-- diachronic organization of individual activity; small-scale organization of shared action; and the organization of institutions. In this book, Michael Bratman argues that the key to these multiple, inter-related forms of human practical organization is our capacity for planning agency. Drawing on earlier work ...(展开全部)

In this ambitious work, Philip Pettit offers a single, unified, and overarching theory of freedom. A puzzling topic, freedom extends from the individual and the metaphysical (i.e. free will) to the social and the political, yet a theory connecting these two realms has yet to be devised. In an elegant, accessible manner, Pettit presents a survey of available theories of freedom,...(展开全部)

In this ambitious work, Philip Pettit offers a single, unified, and overarching theory of freedom. A puzzling topic, freedom extends from the individual and the metaphysical (i.e. free will) to the social and the political, yet a theory connecting these two realms has yet to be devised. In an elegant, accessible manner, Pettit presents a survey of available theories of freedom,...(展开全部)

The third edition of Readings in Planning Theory features thirteen new readings that define current debates and presents the works that constitute the main focus of the field, addressing the central issues that face planners as theorists and practitioners. Expands the focus on international planning by including globalization and theories of development Includes new reading...(展开全部)

Already the recipient of widespread acclaim in academic circles, this new edition of Readings in Planning Theory further enhances its reputation as the definitive resource for the latest theoretical and practical debates within the field of planning theory. Overall, readings continue to address an enduring question posed by planning theory: What role can planning play in develo...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)